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Is Crime Fiction Entertainment?

I belong to several online readers groups and there’s a question that has been coming up frequently, lately:
Is crime fiction entertainment?
This is a thorny issue, right? But I’m glad to see it being discussed. For me – no. I DON’T read crime fiction for entertainment. When I pick up a crime novel as a reader, I want to see intelligent treatment of societal evils that focuses on bringing awareness to problems and proposing activist solutions.
That’s my goal as an author, too.
My Huntress Moon series is intense, page-turning psychological and procedural suspense. I worked as a Hollywood screenwriter for ten years before I wrote my first novel, and I’m well aware that I need to deliver a satisfying genre experience to my readers. If they’re not biting their nails and staying up way past their bedtimes, I’m not doing my job.

But within the context of a ripping thriller, I am writing about issues I care passionately about and want to eradicate for good – meaning the good of everyone on the planet. Violence against women. Child sexual abuse. Human trafficking.

The last thing I want to do is show these scenes in a way that anyone could get pleasure out of. The few times I show anything on the page, it’s very brief and absolutely not there for entertainment.  I think we all understand that rape is horrific – we don’t need to see graphic scenes to understand that. And I am very suspicious of any book that starts with a beautiful woman obviously being set up to be raped and tortured. Sexualizing rape and torture is not solving any problem – it’s actually contributing to the atrocity of sexual abuse.  Personally I won’t support any book or author that sexualizes scenes of abuse.

I suppose as an author you can avoid these tough issues by writing cozies, or another genre entirely. But I don’t read cozies, and I wouldn’t know how to write one. I used to teach in the Los Angeles County prison system. I want to explore the roots of crime, not soft-pedal it. For better or worse, my core theme as a writer is “What can good people do about the evil in the world?”

So my choice is to confront the issue head on.

The fact is, one reason crime novels and film and TV so often depict women as victims is because it’s reality. Since the beginning of time, women haven’t been the predators – we’re the prey. Personally, I’m not going to pretend otherwise.

But after all those years (centuries, millennia) of women being victims of the most heinous crimes out there… wouldn’t you think that someone would finally say – “Enough”? 

And maybe even strike back?

Well, that’s a story, isn’t it?

So my Huntress Moon series is about just that.

The books take the reader on an interstate manhunt with a haunted FBI agent on the track of what he thinks may be that most rare of criminals – a female serial killer.

And here’s what’s really interesting. Arguably there’s never been any such thing as a female serial killer in real life. The women that the media holds up as serial killers operate from a completely different psychology from the men who commit what the FBI calls “sexual homicide” (including most of the famous serial killers you know of: Bundy, Tobin, Kemper, Gacy, Tobin, Nilsen, Sutcliffe, and yes, Jack the Ripper…)

So what’s that about? Why do men do it and women don’t? Women rarely kill, compared to men — but when it happens, what does make a woman kill?

Within the context of my Huntress series I can explore those psychological and sociological questions, and invite my readers to ask – Why? I can realistically bring light to crimes that I consider pretty much the essence of evil – and turn the tables on the perpetrators.

And I’ve created a female character who breaks the mold – but in a way that makes psychological sense for the overwhelming majority of people who read the books.

Whoever she is, whatever she is, the Huntress is like no killer Agent Roarke – or the reader – has ever seen before. And you may find yourself as conflicted about her as Roarke is.

Because as one of the profilers says in the book: “I’ve always wondered why we don’t see more women acting out this way. God knows enough of them have reason.”

So what do you think?

Readers, do you read crime fiction for entertainment? Are you looking for something that goes farther and examines the root of crime, and maybe even solutions? Are you concerned about scenes of violence against women being presented as sexualized entertainment?

Authors/writers: is this an issue you grapple with? Have you found ways of exploring real-life issues of violence against women and children that both fulfill the conventions of the thriller genre and avoid brutalization for entertainment?

I’m always interesting in hearing!

-           - Alex



SALE ALERT:  The first three books in the HUNTRESS MOON series, and my witchy supernatural thriller BOOK OF SHADOWS are all on sale on Amazon UK this month for just 99p each.







Introducing British crime writer William Shaw

William Shaw photo

© Ellen Shaw
The New York Times has called William Shaw’s trilogy of detective books set in late sixties London “an elegy for an entire alienated generation.”

Featuring DS Cathal Breen and the brash young constable Helen Tozer, they are set against the cultural and political revolution of the times. A Song from Dead Lips was picked by Time Out as one of the crime books of 2013; The Daily Mail hailed A House of Knives as “a distinctive British crime drama, which benefits from a clear moral sense”.

A Book of ScarsThe third book in the series, A Book of Scars, was picked by The Sunday Times as their Crime Book of the Month, and subsequently as one of the picks of the year.

A standalone novel, The Birdwatcher, set in Kent and Northern Ireland, is released in 2016. CJ Sansom called it: "his best so far".
 
Before becoming a crime writer, William Shaw was an award-winning music journalist and the author of several non-fiction books including Westsiders: Stories of the Boys in the Hood, about a year spent with the young men of South Central Los Angeles, and A Superhero For Hire, a compilation of columns in the Observer Magazine.

William Shaw's Books on Amazon
Facebook: https://www.facebook.com/williamshawwriter/
Twitter: @William1Shaw
Website: http://williamshaw.com/

First Mondays Crime Nights

First Monday Crime

First Monday is a new monthly crime fiction/thriller night to be held in Central London, starting on April 4th. A mix between a social evening and a festival-style panel, First Mondays will offer the crime fiction community – whether readers, writers or industry professionals – a place to meet, enjoy each other’s company and hear about the latest and most interesting crime fiction around.

Venue: The College Building, City University, St Johns Street EC1
Nearest Tube Station: Angel

First Mondays will begin at 6.30pm on the first Monday of each month with a panel discussion chaired by, amongst others, Barry Forshaw (Brit Noir etc), Jake Kerridge (Daily Telegraph) and James Kidd (Independent). Upcoming authors include Elly Griffiths (April 4th), Christopher Fowler (May 9th), Peter James (June 6th), Sophie Hannah and Belinda Bauer, as well as a host of established and debut authors from all over the world. After the panels, the conversation will spill over to a local bar.


The event is receiving practical support from The Crime Writers Association, City University’s Crime Thriller MA Programme, The International Thriller Writers and Goldsboro Books – and several publishers have committed to sponsoring evenings, beginning with Orenda Books (2016 IPG Nick Robinson Newcomer Award shortlisted publisher) in April.

There will be a small entry charge (£5), which will include a glass of wine compliments of Goldsboro Books, and 50% of the revenue for the evening will go to the participating authors and the chairperson. Books by the authors will be sold by Goldsboro.

First Monday is the brainchild of David Headley and Harry Illingworth (Goldsboro books), Katherine Armstrong (Little, Brown) and William Ryan (author of The Holy Thief and lecturer on the City University Crime Thriller MA course). It will be held in the College Building of City University on St John Street (close to Angel Tube station).

April 4th: Elly Griffiths, Amanda Jennings, Mary Paulson-Ellis and Leye Adenle, chaired by Barry Forshaw.
May 9th: Christopher Fowler, William Shaw and Jack Grimwood, chaired by Jake Kerridge.

For more information and to book tickets: www/goldsborobooks.com/events

First Monday Crime on Facebook: www.facebook.com/FirstMondayCrime/
Twitter: @1stMondayCrime